

All words & music by Don Bryn excapt as noted and performance clips. All clips © Don Bryn and may not be copied in any form for any purpose.
Too much Of A Good Thing (1997)
"Too
Much" was written as a personal exercise in thematic development with
no specific orchestra in mind. I wanted to write without the constraints
of any specific ensemble and never expected the piece to be performed (At
least not while I was still alive!).
All of the thematic material is presented in the first minute of the piece.
The following 10 minutes wander through a playful development in a loose
rondo form. The perfect fourth is predominant in the piece-"Too Much" of
it, one might say.
Harmonically, the piece begins and ends in B [mostly]Major, but moves through
a few other tonal centers throughout. For a further analysis. . . Give it
a listen. :)
The piece was finally performed in Melbourne, Australia in 2002 by a completely
VOLUNTEER orchestra. Yes, that was VOLUNTEER. A conductor friend of mine,
Benny Hudson, managed to convince about 70 fine musicians to volunteer their
time to rehearse and record this piece. I am immensely grateful to all of
the players and Benny himself for even having the interest and commitment
to helping this music see the light (and ears) of day. Since the musicians
were not reimbursed, I have promised not to allow the recording to be distributed
except for the purpose of getting the piece played again. However, the clips
to the left are available for you to check it out.
Symphonette (1992)
Symphonette was written as a graduate thesis using a twelve-tone row
and a system of stacked intervals based on 5ths. It is titled Symphonette
because of the five sections, or movements, contained in the piece loosely
follow the traditional patterns of a classical symphony.
The harmony is based on a system of alternating 5th s, beginning with an
augmented 5th, followed by a perfect 5th, followed by a diminished 5th, perfect
5th, augmented, etc. . . All harmonic and melodic material were derived from
this system and the aforementioned tone row.
Orchestration was based on an attempt to merge the world of the contemporary
ensemble with some "pop" influences like the use of solo MIDI controllers.
The ensemble includes a wind controller, a MIDI violin, electronic drums,
and synthesizer.
This performance was recorded by the Duquesne University Contemporary Ensemble,
conducted by David Stock.
Psalm 42 (1991)
For acapella chamber choir. This very fine performance was by the Duquesne University Chamber Singers, conducted by Dr. Brady Allred.
Fantasy on A Theme By Sibelius (1990)
This piece for Orchestra based on the "Finlandia" Theme
by Sibelius features compound meters. The piece has an arc form, beginning
and ending with a lush string section. After quoting the main theme tutti,
the orchestra moves through a section with a strong Eastern European influence,
including compound meters and melodies moving against ostinatos.
This recording was made at a reading session by the Duquesne University Orchestra,
conducted by Robin Fountain.
3 Etudes In Color & Rhythm (1990)
This first etude for 5 players of an electronic
ensemble uses the tonal colors available in their electronic instruments
at the time of performance. Harmonically, the piece is quite simple-never
leaving the tonal center of C-however rhythmically and melodically it is
quite playful. The piece is based on 7/8 patterns-looped, reversed, inversed,
and layered-and improvisatory melodies.
As an interesting note, a peek at the original score reveals all the parts
in different meters simultaneously, always keeping 8th notes consistent.
For future performances, most likely the parts would be kept consistent in
one meter, with rhythmic patterns falling across barlines.
The players: 1 guitar, 1 wind player, and 3 keyboard-all players double on
hand-percussion.
The Longing (1989)
For Flute, Oboe, Cello, synthesizer, MIDI tracks, and pre-recorded whale songs. The intent of this piece was to portray the longing of all of creation for some sort of salvation. It includes a lot of quartal counterpoint moving within the bounds of modal harmony, with the flute dominating.
Chamber Suite (1989)
Instrumentation: Flute, Oboe, Cello, Synthesizer. A Highlight is the 3rd movement dialogue between the oboe and flute.
Trying Not To Smoke A Cigarette (1995)
For a few days I was special
You held me in your bed
Then you had to say it, make me wish for what I can't get
You said you like the way we fit
You thought that I was cute
You wanted me to visit
And you promised to write
But I'm sitting here trying not to smoke a cigarette
But sometimes a cigarette's the only friend you've got
Well it's nice to get attention
But I'll just need it more and more
Until I can't live without it
And I sit and think about it
As I'm trying not to smoke a cigarette
Who ever knows what they want?
Who ever knows what they need?
Who can keep themselves from wanting what it is they want
If it's not what they need
You said that you don't want to kiss
Someone who'll smoke a cigarette
You said that I could do without,
But without you, who gives a shit
But I'm sitting as I'm trying not to smoke a cigarette
We sure had fun, but life is hell
Well it's nice to get attention
But I'll just need it more and more
Until I can't live without it
And I sit and think about it
As I'm trying not to smoke a cigarette
Am I just being naïve?
Is is a possibility
That you're just using me
Well everyone uses everyone, but I started to believe
So I feel gullible and afraid
Every word was a lie
I don't know if I can deal with
Being special for just a little while
Well it's nice to get attention
But I'll just need it more and more
Until I can't live without it
And I sit and think about it
As I'm trying not to smoke a cigarette
I'm crying as I'm trying not to smoke a cigarette
It's These Times (1992)
As we walk the field together, some
days can seem so long,
But sister, let me help you when it seems you cant go on
And when the day is over, well laugh and sing a song
Forgetting for a while the beating of the sun
Its these times well remember,
Its these times were meant to live
Its these times were together that I finally can believe
Its these times well remember,
Its these times were meant to live
Its these times were together that I finally can believe
In these times
And when night is at its darkest, the echoes of the song
Are shadows in my dreams as is the rising of the sun
But still the morning breaks, but if youll wait it out with me
Well have more days to laugh again and at the end well see
Repeat Chorus
For good and bad are only separate pages in our story
Of love and life and death and everlasting glory
Well have more days to laugh again,
And at the end well see
Repeat Chorus
Glad You Stayed (1995)
Ive
seen you so many times just starin at the moon
Wonderin when your ships coming in
I stood at the door when you thought you were alone,
Swearin under your breath at the wind
Baby, I know your hearts on the road but youre stayin in.
I know you try to hide it, you dont want me to see.
Always protecting my heart.
Your confident words and your sure-footed step
Keep this world weve built from fallin apart
And baby, I know, and thats why I love the man that you are.
Baby, Im glad you stayed.
I never worried youd go, but I just want you to know
How much it means to me
I know the price you paid.
And though youll never admit it, I know you still feel it.
And Im sorry, but Im so glad you stayed.
The years go by weve watched the family grow,
You always give it your all
Ive never heard you complain,
Though were not perfect by far
Id never trade it for the world,
Though I know its been hard
If I could Id give you the moon
And every shooting star youve, ever, ever, ever wished upon.
Oh, Baby
Baby, Im glad you stayed.
I never worried youd go, but I just want you to know
How much it means to me
I know the price you paid.
And though youll never admit it, I know you still feel it.
And Im sorry, but Im so glad you stayed.
Taking Stock (1990)
Sometimes it hits me hard and I begin to take stock
How fast my life is going, wont be long before its dark
And looking back I can see how a pilgrim in a foreign land
Becomes much wiser than the folks he left behind.
You can give me friends and food for thought
You can whet my appetite in times of drought
You can give me fire in my soul,
Love me through with a song or two
But I must remember, all I need is you.
I guess Im glad I have to wander so far from home
So many things Ive seen I might never have known
Experience rich has quickened hope that I might stand
In what I now know only as a distant homeland.
You can give me friends and food for thought
You can whet my appetite in times of drought
You can give me fire in my soul,
Love me through with a song or two
But I must remember, all I need is you.
Unspoken Words (1991)
Books could be written about unspoken words
But none could tell the story of what I havent heard
I remember what she said,
Though perhaps in here head it was insignificant
To me a promise, to her a sleight of hand
The words she spoke I could not hear
But I remember them even here
Promises made without caution
Promises kept and promises forgotten
I guess Im the fool, believing what I read
You think I dont know someone else stands in my stead?
I remember how it bled, in one fatal moment I watched the writing fade
To me a promise, to here words never said
The words she spoke I could not hear
But I remember them even here
Promises made without caution
Promises kept and promises forgotten
By now we all know the might of the sword
But God bless us all, everyone
To soothe the hearing of the unspoken word
God bless everyone.
The words she spoke I could not hear
But I remember them even here
Promises made without caution
Promises kept and promises forgotten
Who's So Free (1991)
Music by Jared DePasquale & Don Bryn
Johnny says hes gotta get
some,
Johnny says hes feeling tense
I guess Johnny really believes it,
Its the only way things make sense
So dont try pushing Johnny guilt,
Let him be what he wants to be
He says he wants to make his own choices,
Well, dont we all want to be free?
But
Whos so free?
Whos so free?
You tell me?
Whos so free?
Sara says she needs her choice,
Saras pretty frantic about that
But I guess she really sees it that way
Depends on where youre at
Cause now theres only one way out
The choice was made a few nights past
No wonder shes so frantic now,
What kind of choice is that?
But
Whos so free?
Whos so free?
You tell me?
Whos so free?
Filthy Rag Blues (1991)
This guilt and shame been hangin on me
Theres no one to blame, but I still cannot deal with these feelings
I feel
I stick out my chin and try it again
This time Ill win.
Though Ive said that before I just keep coming back for more.
Dont ya tell me Ive gotta try harder
And dont tell me Ive gotta be smarter
Dont tell me to pick myself and reach higher,
Just tell me to get down and pray to the Father, case
Hes looking out for me
This forgiveness means that Im really free
How can I understand this duality
Though I can try to do it right, if I dont its all right
Dont ya see?
Thats all I can do to lose these filthy rag blues
Dont ya tell me Ive gotta try harder
And dont tell me Ive gotta be smarter
Dont tell me to pick myself and reach higher,
Just tell me to get down and pray to the Father, cause
Hes looking out for me
This forgiveness means that Im really free
How can I understand this duality
Though I can try to do it right, if I dont its all right
Dont ya see?
Thats all I can do to lose these blues of distraction that ever so
subtly speak lies to my mind to confuse and distract me from one who can
make me forever be free from these filth, filthy rag blues.
Ball Of Wax (1995)
You know what you know, I hear what I hear
Theres no hope of saving me without opening your ears
Once step down from absolute
One sigh short of perfect
And if it isnt perfect, then its useless
Life is just a ball of wax,
Press it into any shape
And watch it melt in the heat
Would you trade all you know for an ounce of true belief?
Or how about all youve decided to be for a moment of being with me
One step down from absolute
One sigh short of perfect
Or if Im not perfect, am I useless
Am I just a ball of wax
Press it into any shape
Watch me melt in the heat
Just a ball of wax, a shapeless mass
Melting in the heat
Melting in your heat
Mercy Rain (1991)
How much it hurts
To look in someones eyes and see
The fulfillment of what I think to be
All Ive ever wanted
And know its an illusion, a delusion of my mind
How much it hurts
To feel there is a picture complete
But know the one missing piece
Is one I can never hold
And I cant fathom why, why I feel this way
But all I can do is look to you
Mercy rain,
Flood my soul
Until again
I can walk on
Oh, mercy rain
How much it hurts
To see reflected in here eyes
The hate that makes her to despise
All that lies beneath her own skin
And know shes self-defeating,
Somethings eating at her mind
How much it hurts
To want to throw a life-line to her
But know shell just cast off the offer
Cause shes so afraid of empty words
If only she could listen,
It would hasten the healing of her soul
But all I can do is look to you
Mercy rain,
Flood my soul
Until again
I can walk on
Oh, mercy rain
True 4 You (1991)
So my pockets are empty
And my jeans are needing patched
And Ive got a 60s haircut
And my clothes dont always match
But Ive got one thing that I do well
Honestys a point that I dont have to sell
So if you want a man with no tricks up his sleeve
Take this to the bank, cus baby you can believe
Ill give you all I got,
Never gonna stop lovin you, girl
Girl, you got my heart,
Every single part will be true
Oh, my heart is true 4 you
So I aint got all the muscles
No, or the hair on my back
Sometimes I like to cook
But I almost never like to talk
But Ive got one thing that I do well
Honestys a point that I dont have to sell
So if you want a man with no tricks up his sleeve
Take this to the bank, cus baby you can believe
Ill give you all I got,
Never gonna stop lovin you, girl
Girl, you got my heart,
Every single part will be true
Oh, my heart is true 4 you
I know Im not the perfect man,
I never claimed to be
But I will always stand by you, girl
Wont you stand by me
Ill give you all I got,
Never gonna stop lovin you, girl
Girl, you got my heart,
Every single part will be true
Oh, my heart is true 4 you
Seasons & Tides (1995)
Theres
the young sailor been called ere he could speak
Destined for journeying, filled with the yearning
Pursuing the exhilarating life of the sea
Irrevocably drawn to lands and questions unknown
He rides atop the power that threatens his life
Calmly to rest upon her breast
As she holds communion with those who survive
The stretching of sinew, the testing of bone
And he sings
Let the wind blow through me like paper on a kite frame
Let the wet-paper clouds fold themselves across the moon
Let me run barefoot on the surface of time
Let all the questions go pale in the seasons and tides
Theres a calm that comes that creates questions
In that confusion I lose my direction
When I see the glow of full-moon reflections
The questions are forgotten as if to begin with they were moot
Its better to be windward on the mountaintop
Where theres no hesitation, no softness to cushion
Barefoot against earth, muscle against rock
This is the closets I might ever come to an absolute
And I sing
Let the wind blow through me like paper on a kite frame
Let the wet-paper clouds fold themselves across the moon
Let me run barefoot on the surface of time
Let all the questions go pale in the seasons and tides
When this silent ruthless armies cloud across the sky
And lightning peaks like children who cant wait to be found
Suddenly I know so many things without ever knowing why
And the effect of belonging on me is so profound
that I sing
Let the wind blow through me like paper on a kite frame
Let the wet-paper clouds fold themselves across the moon
Let me run barefoot on the surface of time
Let all the questions go pale in the seasons and tides
Shake Me Up (1992)
Shake me up,
Shake me up,
Just when I think Ive got it down
You shake me up, turn my head around
Im so tired of learning, cant I ever sit still
Why cant it ever be easy
Shake me up
Cant we do it later
Shake me up
Why do you have to do this
Shake me up
Please, not now
Shake me up
Sailing smooth, Im so cool
Til I open my mouth, Then Im a bumbling fool
Im so tired of winding up in such a mess,
Why cant it ever be easy
Shake me up
All right, just get it over with
Shake me up
Can we make it quick please
Shake me up
I guess if I have to
Shake me up
I dont have a choice, do I
Shake me up
Dont think I can handle this
Shake me up
Why me?
Shake me up
Quick and painless?
Shake me up
Shake me til you break me, rattle up my bones
Open every closet, sent the skeletons home
Just not too often, dont look too deep,
Forgive my indecision, theres a few Id like to keep
Sometimes I want it, sometimes I dont
Whats gonna happen to me if I refuse to be
Shaken up?
Counselor (1995)
I am so far away from all I have known
And I can only pray that the road Im on leads home
In my mind and my soul I have let myself go
Beyond every wall that kept me safe from harm
Oh, Counselor, I need you
For until this time is through Ill be searching
Counselor, I need you
To speak a word or two that will soothe me,
Calm my mind, ease my soul
I need you.
I am straining to hear that voice I once knew
Cause now Im alone in the world and I need you
Faceless voice of reason,
Youve been there before but now Im not so sure
Cause in this season,
The changes cut to the core and I just dont know anymore.
Oh, Counselor, I need you
For until this time is through Ill be searching
Counselor, I need you
To speak a word or two that will soothe me,
Calm my mind, ease my soul
I need you.
Need You Like That (1991)
I had a friend of mine, shes doing things she doesnt
wanna do
She says that she knows better but she cant stopwell, she says
But how can one whos such a nice girl fall so fast
To things that shes been warned about her whole life through?
Well I can tell you its a common situation,
Shes trading what he want for his absolute attention,
Shes hoping one day shell reach the point of saturation
But shes only using him for the suspension of her need.
I dont wanna need you like that, no,
Always escaping into each others arms,
I dont wanna need you like that, no,
Ill put up with the ache,
Let Jesus fill in the break
Til that one better day
When Ill be able to say
I love you true,
deed I do.
Well Let me tell you baby that I really wanna be with
Ooh, itd be so easy to let my mind fillUh oh
Let me tell you first that I dont want to lose myself in you
But even more than that I cant afford to lose you.
So lets remember its a common complication,
Needing so much, falling to obsession,
Maybe we need just a little vacation
To free our minds from the incarceration of our need
I dont wanna need you like that, no,
Always escaping into each others arms,
I dont wanna need you like that, no,
Ill put up with the ache,
Let Jesus fill in the break
Til that one better day
When Ill be able to say
I love you true,
deed I do.
People, People (1991)
People, People, this is what its all about
Lets get together and help each other out
Im so glad youre here
I hope I dont scare you when I say it:
Lets be friends
Working side by side
Ill do all I can to help your dreams survive
When I need to tell you Ill tell you that youre wrong
Cause it takes that kind of caring to make a friendship strong
People, People, in a people-using world
Givings so unusual it leaves us feeling scared
Im so glad youre here
Dont feel smothered when I say it
Lets be friends
Working side by side
Ill do all I can to help your dreams survive
When I need to tell you Ill tell you that youre wrong
Cause it takes that kind of caring to make a friendship strong
I Dream (1995)
I dream of your arms around and your sweet breath in my ear,
I dream of a comfort that finds me whenever you are near.
And sometimes in my waking hours
I cant hold these dreams at bay
Baby, I want you,
I want you here to stay,
So come and get me
Make me a place to lay my head
Hold me til the last shadow has fled,
Come and get me
Take me where the mind is clear,
And tell me that year after year,
Youll always be near,
Thats my dream.
I dream of a place I belong: no matter where I go it feels like home.
I dream of having a life no one elses hopes are hanging on.
And freedom is the tie that binds me
Love without a price that finds me
Safe at home, I know with you Im free,
So come and get me
Make me a place to lay my head
Hold me til the last shadow has fled,
Come and get me
Take me where the mind is clear,
And tell me that year after year,
Youll always be near,
Thats my dream.
Power House (1991)
Think of all the things weve tried to change
How many times weve tried to get it right
Think of all the things we cant control
This is not a powerful life
But I want you to know, were all the same
Wherever you go, theyre looking for the power house.
How much like suicide to put to death
The part that wants to hold on tight
But what else would you give to trade your soul
Whats it worth to save your life
cause I want you to know if youre at a loss
Youre hanging on, do you really want the power?
This is the power of God,
This is the power of God,
Submission, transformation,
Thats the mission of the power house,
This is the power of God,
This is the power of God,
Submission, transformation,
Thats the mission of the power house.
Think of all the things that invade your mind,
Clips of power in varied form
Never would we guess in human kind
Submission is where power is born
But I want you to know youve got a chance
When youre outta control
Then you might find the power
House
This is the power of God,
This is the power of God,
Submission, transformation,
Thats the mission of the power house,
This is the power of God,
This is the power of God,
Submission, transformation,
Thats the mission of the power house.

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arrangements are for 6 to 10-piece band and soloist, except as marked,
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Piano Sextet #1 in D (2005)
The Piano Sextet was selected and performed by The Nashville Composer's Association and Alias Chamber Ensemble for a live radio broadcast of new works by local composers. Many thanks to their work for helping local artists be heard.
I had spent a lot of time studying Stravinsky and his harmony through the early ballets, and I wanted to attempt to follow the same path. That is not to say I wanted to SOUND like him, but rather to follow his path of discovery. I started with what I found in octatonics and whole tones, put a lot of traditional harmonies on the surface, and then allowed myself to create without being too strictly guided by harmonic rules.
I also wanted to write something that sounded ‘classical’ in style. So I started with a ‘classic’ chamber piano quintet, later adding the second cello. I wanted to follow a strict form, using a harmonic main theme and a melodic second theme, use classic articulations without effects, etc.
Form-wise, there is an exposition of first theme and second theme, repeated slightly differently, all around the tonic D. The clue to the end of the exposition is the obvious change in tempo and the ‘dirty’ tritone. The following whole-tone piano arppeggio, signifies the development has begun.
Half way through the development those tritones return on the chosen subdominant, in this case E-flat. Development is usually the part with which I have the most fun; playing with themes and seeing what can be made out of them.
The development barrels right into a shortened recapitulation where the main themes return in a thicker texture around the chosen dominant, A-flat. This point is also the only fortissimo in the piece, another clue we are back at the recap. The recap ends with those dirty tritones again, allowing the harmonies to flip back over the tritone to the tonic D. There follows a coda around the tonic and ending on D Major.

Jazz Piano
Perfect for parties, clubs, and restaurants, Don's cocktail piano is the way to go to add flair. You can choose jazz standards or add in some pop and broadway tunes, depending on the tone of the event.
Trio and Quartet
For medium sized events, restaurants and clubs, you can't beat a trio or quartet. With Don on piano and a combination of drums, bass, and vocals or sax, you'll get an entertaining mix of jazz standards and tunes everyone will know.
Musical Directing and Piano Demo
Don has 18+ years experience conducting and Musical-Directing shows and bands. He has performed everything from Broadway and cabaret-style shows to rock n roll and jazz, including leading bands for formal balls and ballroom dancing.
This is an older video demonstrating directing bands in a few different style shows followed by some informal audition material of his piano playing.
The Hip Replacements
The Hip Replacements feature bands from 7 to 14 pieces playing either funk
and disco or tradition standards for dancing. Don
leads the traditional music which you will see and hear in these clips.
If you're having a big event and really want to impress your guests,
a Big Band playing great standard tunes from slow
ballads to heavy swing to ballroom dance styles like Cha-Cha, Tango, and
Rhumba is what you need. If you have a dance floor, this music will
have your guests up in no time.
All
vocals in these recordings are by Georgia Riber and Brad Clancy.
941-388-7690
Piano With Tracks Demo
If you really like the sound of a jazz trio but don't have the space or budget, then this option is for you. Don uses only high-quality tracks of a live rhythm section, allowing you to add class to your venue using a minimum of space. Listen to the demo and you'll agree that this is great-sounding jazz.
Vocal Demo
For an extra-special touch of class, Don has vocalists available for a nice intimate duo. Don can also sing a few tunes if you want some vocals on a more limited budget.